Identity and Cultural Shifts in The Tragedy of Mariam (1613)

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Pages: 107-117
DOI: https://doi.org/10.54664/PMVS4471

Abstract:

The article examines representations of Jewish women in early modern English theatre, with a focus on Elizabeth Cary’s The Tragedy of Mariam (1613). While Jewish men were often depicted through negative religious and occupational stereotypes, Cary’s portrayal of Mariam challenges these conventions by emphasising her internal and external beauty, sincerity, and other high moral qualities. Cary’s work is significant as it is the only known play of its time authored by a woman, positioning Mariam uniquely within the realm of women’s writing. The play subverts traditional antisemitic tropes by aligning Mariam with the virtuous Sarah, matriarch of the Judeo-Christian tradition, and presents her as a catalyst for societal change. Cary’s choice of the closet drama as a genre enables a more progressive and nuanced exploration of identity, gender, and religious coexistence. Her play juxtaposes Mariam with figures from the Old Testament and early modern literature, prompting a re-evaluation of Jewish and female identities within a distinct cultural and historical framework. This approach highlights a potential for integration and mutual respect between Christian and Jewish communities, marking a shift towards a more inclusive perspective in early modern England.

Keywords:

Elizabeth Cary, The Tragedy of Mariam, Jewish identity, female representation, philosemitism, early modern theatre.

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