Bakhtin’s Rabelais in Problems of Dostoevsky’s Poetics: A Retrospective Perspective
Authors:
Krasimir
Hristakiev
St. Cyril and St. Methodius University of Veliko Tarnovo, Bulgaria
Pages:
327-
340
Abstract:
In his dissertation dedicated to Dostoevsky (1929), Bakhtin introduced several basic theoretical formulations that were later incorporated and reinterpreted in his analysis of Rabelais’s work (1940). Such early conceptual “pillars” include “two-voice” speech and “non-characteristic” dynamic image, which were subsequently transformed into “ambivalent speech” and “transient grotesque image.”
Keywords:
Rabelais, polyphony, ambivalence, grotesque.
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