The Camata – A Film by Pierre Huyghe. Observations On Being and Transience

Authors:

Pages: 87-94
DOI: https://doi.org/10.54664/JMTF3344

Abstract:

The purpose of the present study is not only to introduce the work of Pierre Huyghe, but also to steer our approach toward a deeper analysis of one of his central works in his large-scale exhibition project Liminal. The film Camata is created on a site with a historical weight that cannot be ignored, along with the emerging questions about the role of the work and its elements. A question comes up about the role of increasingly autonomous technologies in the artistic work and whether they acquire a different value in terms of perception and the conclusions arising from it.

Keywords:

film, Pierre Huyghe, Camata, artificial intelligence.

Download