“To be Free in 1968 Means to Participate”. “Tap and Touch Cinema” Action of Valley Export and Guy Debord’s Ideas as a Provocative Act of Releasing Audiences through Participation
Authors:
Denitsa
Milusheva
St. Cyril and St. Methodius University of Veliko Tarnovo, Bulgaria
Pages:
201-
203
DOI: https://doi.org/10.54664/XKIX2602
Abstract:
The desire to participate in the 1960s was symptomatic of this period. Through the “Tap and Touch Cinema” action of Valie Export and “Society of Spectacle” a movie of Guy Debord, attempts have been made to present two methods for making the audience an active participant. What connects two authors is their struggle against alienation and passivity.
Keywords:
participation, performance art, society of spectacle, cinema, alienation, passivity
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