„Камáта“ – филм на Пиер Юиг. Наблюдения за битието и преходността
Автори:
Радоил
Серафимов
Великотърновски университет "Св. св. Кирил и Методий", България
Страници:
87-
94
DOI: https://doi.org/10.54664/JMTF3344
Резюме:
The purpose of the present study is not only to introduce the work of Pierre Huyghe, but also to steer our approach toward a deeper analysis of one of his central works in his large-scale exhibition project Liminal. The film Camata is created on a site with a historical weight that cannot be ignored, along with the emerging questions about the role of the work and its elements. A question comes up about the role of increasingly autonomous technologies in the artistic work and whether they acquire a different value in terms of perception and the conclusions arising from it.
Ключови думи:
film, Pierre Huyghe, Camata, artificial intelligence.
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