Черният квадрат – от Але до Малевич
Автори:
Александър
Гьошев
Национален военен университет “Васил Левски”, България
Страници:
61-
65
DOI: https://doi.org/10.54664/JVAH6863
Резюме:
The study observes some of the most important details hidden in Kazimir Malevich’s abstract painting
“Black Square on a White Background” (1915). Of central concern for the more adequate understanding of this
intriguing piece of art is the tracking of its supposed relationship with the work of Alfons Alle – French writer
known for his extravagant style and ideas. The differences between Alle’s painting entitled “Negroes Fighting in
a Cellar at Night” and Malevich’s composition, both sharing similar themes, are analyzed in their specific historical
and cultural context. Finally, there is a hypothesis about “Black Square on a White Background” as a work marked
with a psychological projection that unfolds itself through the dark figure of the square, as an iconic image that
still has an impact on the contemporary art and may serve as a key to some symbols of the present.
Ключови думи:
Casimir Malevich, Alfons Alle, abstract art, mental projection, dark figure, quadruple, square.
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