Експериментално студио 2019. Рисунката – тактилни подходи

Автори:
Страници: 24-33
DOI: https://doi.org/10.54664/ZPVG5229

Резюме:

The current article are discussed the problem of significant importance of the tactile feelings in the context of the ways in which they are used in drawing creation.The basis of the study is the theoretical and practical experience gained in the conditions of creative experimentation, derived as a specific artistic practice.The relationship between visual and mental images and their comparison with the sensory field of the active touch is analyzed.There are summarized a four experimental plans: Mastering practical tactil experience and its creativity interpretation; Comparison of the tactil execution of a creative act and optical perception of drawings obtained without visual contact; Reflection of a participation of the body in the creative process; Focusing attention on feeling and their emotional coloring as interpersonal interaction in the frame of the working environment.

Ключови думи:

aesthesia – αtσθησÔς (aísthēsis), somaesthetics, phenomenology, active touch, tactil, tactil reception, art, drawing

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