Живописта като непрекъснат сценарий. Протоколи за преживяването на идея

Автори:
Страници: 282-285
DOI: https://doi.org/10.54664/QOCN2450

Резюме:

Every knowledge, every understanding or attempt to arrange the world usually carries within it a certain degree of change, of recreation. Given the general nature of reality, the artist’s accumulated subjective experience is the only possible guide, landmark, or main source of knowledge. An idea is the notion of some thing initself. The ideas and thinking of the world in metaphors make the connection between art and reality, between the integral and the multiple, but also between the real and the imaginary. The artistic effort is reduced to the search for ways to translate, to draw, to express things through forms, giving them both universal validity and individuality. The text protocols a subjective/author’s project from the idea to the realization.

Ключови думи:

painting; memory; idea; continuous script

Изтегляне