Scenography Versus Ritual in Hermann Nitsch’s Actions

Автори:
Страници: 34-43
DOI: https://doi.org/10.54664/EUUM1823

Резюме:

This article focuses on the relationship between scenography and ritual as reflected in the actions of the Austrian artist Hermann Nitsch. The aim is to observe the specific elements in his works referred to as “Aktionen,” using the method of hermeneutics of the artistic performance. This examination encompasses the aspects of both direction/scenography and the ritual. The premise we start from is that, although they may appear to be “theatrical pieces,” Nitsch’s actions incorporate spiritual meanings and a purpose that goes beyond their purely mimetic, theatrical aspect, towards a ritual dimension.

Ключови думи:

scenography; improvisation; ritual; action; performance; art; liturgy; spirituality.

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