Еманациите на злото: интертекстуални парадигми

Автори:
Страници: 210-226
DOI: https://doi.org/10.54664/LJHZ7102

Резюме:

The mutual semantic principles which are at the heart of any artwork – whether literary or cinematic – are studied by narratology. This scientific discipline also provides the methodology that analyzes the structures and mechanisms of the narrative text. Moreover, it tries to create a specific model for the possibilities of realization, the specific cases of which are the individual literary/ screen works. In this regard, visualization in film dramaturgy is considered on several levels: the interrelationship between textual diachrony and synchrony; social and aesthetic functions; historical and political environment and artistic interactions.

Ключови думи:

literature; cinema; screenplay; psychology; trauma.

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