The article is part of a much larger text on the issue of polyphony in Vasil Popov’s work. The polyphony is a consciously sought, decidedly looked for, and systematically used form in the author’s poetics.As a constructive principle, it is based on an Einsteinian relativism and this yields an innovative aura to the author’s books which are a reversed image of literary absolutism which was in the limelight in the late 50s in the Bulgarian literature. So that the organic wholeness of the fragment would not be disturbed – as Vasil Popov’s books are analyzed in an order which opposes chronology – the artistic arguments in this article are from the novel “Nizinata”.